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‘Can’t be trusted with your child’s brain’: Study shows stunning percentage of Netflix shows push LGBT insanity to kids

Bob Unruh
A scene from a controversial song from the Netflix show “CoComelon” shows a boy holding a tiara as his two “dads” look on.

A new study shows nearly half of the shows on Netflix push LGBT propaganda to children.

It’s not like the agenda is a surprise, given the comments already posted on social media:

And the report from Concerned Women for America pointed out, “Any observant media consumer has been aware for some time of the increased visibility of lesbian, gay, bisexual, and (in the last five years, especially) transgendered characters on television.”

It continued, “For decades the advocacy group GLAAD has been lobbying for increased representation in popular media, and they have tracked their progress with annual ‘Where We Are on TV’ reports for the last twenty years. Their efforts have been overwhelmingly successful, and in its most recent report, GLAAD claims a 4% increase in representation on television in the last year alone. But though audiences may have become inured to such content on sitcoms and dramas intended for adult audiences, they might reasonably have assumed that children’s programming would be exempt from identity politics. After all, children’s programming has historically focused on developing social skills and school readiness.”

But that’s not necessarily so.

“The wake-up call for many parents came in early October, when a clip from the Netflix original series Dead End: Paranormal Park, went viral in which a character named Barney ‘outs’ himself as trans to his friend, Norma, and Elon Musk amplified the clip with a call to cancel Netflix.”

That triggered a fall in Netflix stock of an estimated $15 billion.

Now the CWA analysis confirmed 41% of “G-rated series,” and 41% of “TV-Y7-rated” series on Netflix “contain LGBTQ+ content.”

Themes, characters, storylines and messaging were monitored across 326 Netflix series, the report said.

Roughly half of that total was “explicit,” the report said.

“A number of writers and producers have spoken openly, both on-the-record and off, about efforts to include LGBTQ+ representation in the shows they write, even (or perhaps especially) in older, well-established and widely recognized titles like My Little Pony and Anne of Green Gables,” the report revealed.

A report at the Federalist charged, “By age four, most children, 58 percent, have their own video tablet, according to Common Sense Media. But the shows aimed at children can’t be trusted with your child’s brain.”

It said, “Today’s Strawberry Shortcake is a far cry from the beloved 1980s character. Some of the characters are ‘transberries.’ When Strawberry Shortcake and her pal are thrilled at the sight of a fancy dress in the colors of the trans flag, their ‘nonbinary’ friend tells them their positive reaction is the, ‘Correct response!’ And a big man in a spectacular ball gown explains that he loves, ‘Living out loud as my most authentic self,’ while trying to trick everyone into thinking he is a woman. Perfectly normal, kids.”

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This article was originally published by the WND News Center.

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